That Floating Poo Was Way Too Meaningful! These Are the Television Letdowns of the Past Year.

Looking back, we reflect on the television landscape of the past year, a selection of shows stand out not for their excellence, but for their spectacular shortcomings. Ranging from awkward sequels to confusingly bad documentaries, here are the programmes that had us utterly bewildered or simply reaching for the remote.

And Just Like That

Where to begin with this divisive spin-off? Plagued with dreadful scripts, cringe-inducing character development (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the show fought to find its footing. For a moment, as the final season started, it seemed as if it had finally found its groove. Then came an installment all about Seema’s natural deodorant. Little surprise the showrunner declared this would be the final season. It concluded on a low point; the closeup of Miranda’s toilet flooded with poo was just way too on-the-nose. Yet, fans undeniably had a hoot picking apart every single “wtf?” episode. And as Carrie – once again single – danced around her sprawling townhouse to Barry White, who couldn't let out a little sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was almost the least of this drama's issues. The subject of a exceedingly uncommon no-star assessment, it was hard to know where to start listing the problems. The laughably wooden writing? The mind-numbing glorification of wealth and consumption? The seemingly wilful procession of tropes? Performances so bad they felt borderline malicious? Suffice it to say “all of the above” and forget about this show again. However, a new season has been ordered, so we’re probably going to have to.

AKA Charlie Sheen

Given the restraining orders, domestic violence allegations and fatherly failures, it’s fair to say Charlie Sheen has been a bad boy. Not you’d truly have known it from this three-part docuseries which chuckled along at Sheen’s various bouts of self-destructive excess while struggling to tell us a single thing we didn’t already know. Rather, it felt as if this volatile personality was being indulged, so any sympathy this show might induce should be saved for the people who have had to suffer close contact with this charismatic but dismissive narcissist.

The Supercomputer Drama

Of course we understood it was ridiculous from the outset: a drama about a supercomputer known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of pure admiration for its stars … but by the end, it felt like even they had stopped bothering. One scarcely cared when his character died, and the other ultimately hacking Charlie with an axe … in painfully slow-motion. That's what you call admitting defeat.

The Gangster Drama

Dodgy characters convening in empty boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its gangland drama back.

Actually, that is unfair on the crime shows of the late 90s. Many seem a little old-fashioned now, but at least they didn’t suffer the embarrassment of having to accommodate baffling accents. But there were plenty of other problems. Mainly that it was just really boring; a dispute over narcotics territory between various London rogues which seemed rather simplistic.

The Meghan Markle Series

Given the extent to which she provokes the ire of the nation’s performatively angry commentators, it’s temptingly tempting to admire the Duchess of Sussex’s televised forays into quaint lifestyle as deliberate provocations. But then you watch them and are forced to admit that actually, they may have a point. It’s like watching a homeware catalogue animated; a meme for wine o’clock with ideas of grandeur; a procession of snoozing dogs, buzzing beehives, Hallmark sayings and forgettable crafting “hacks” you’ll forget instantly. All underpinned by immense, mostly unearned wealth. Ugh.

The Beckham Documentary

There are clearly fascinating things to be discussed about both Victoria Beckham and her struggles with vocation, self-image, self-worth. But for some reason, this documentary series opted not to say them. Rather, the experience was akin to consuming a sales catalogue. She obviously has good reason to resent what she describes as her “stern” image. But sadly, she failed to do herself any favours with this cagey non-event of a series.

The Inheritance

It should have been the next big hit – except even camper, with a glamorous star as a deceased benefactor and a sharp-tongued personality managing her inheritance. What more could you want? As players competed, there was plenty of betrayal and arguing. But the rules quickly became bewildering: it’s still too confusing to detail what precisely was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The show ended up reeking of a programme that was straining desperately to emulate something way beyond it.

Too Much

How do you succeed a show that defined a generation? The expectation was immense for this glitzy romantic comedy about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The lead actress seized the opportunity by the horns and was a delight to watch, reveling in Austen levels of romantic notions. But it was all very slick and, ironically, was not enough. Plus, the abundance of celebrity cameos involved felt uncomfortable.

The Sketch Show Return

Not good enough to be ‘uneven’.

Given the shrewd recruitment of talented emerging comics, hopes were high. But sadly, most of it didn’t land. A particular sketch was a one-note joke milked to a husk but recurring in every episode. One star seemed too willing to slip into a familiar ranting mode. The writing room sketches, in contrast, simply inspired the thought that they should probably have remained in there a while longer.

The Knox Dramatisation

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the perspective of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be treated sensitively. Instead, the series struggled painfully to find the right voice, lumbering from strangely breezy, somewhat stylised farce to inevitably, real-life horror. Twisted? Perhaps. A complete mess? Very much so.

Prime Target

We admire the lead actor … but did we believe him playing the greatest maths genius since, a man so intelligent he’s on the brink of a breakthrough that could ruin society? Nope! This globe-trotting thriller about government agencies spying on – and eliminating – intellectuals frankly got more farcical by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This hagiography followed the online personality notorious for sexual escapades as she prepared for her most extreme feat yet. What on earth would possess her? What we wanted was way more examination of her true psychology, plus those of the men in the line. They could at least have interviewed the now-famous mum who showed up to drag her son out of the queue. What we got was horrific shots and zero critical analysis of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Casey Goodman
Casey Goodman

Elena Vance is a senior product designer at Aerolab, focusing on user-centered design and digital innovation for global clients.